Writing Exercise: Music Maker

Where do you see music that you shouldn’t? In the way a garment moves? In the way a person smiles? How they laugh?


Music by *marva78 on deviantART

This is how you will mould your plot: around the falls, twists and lifts of a song. It has to be about character who oozes music in everything they do. Not necessarily Chopin, it could be smooth Jazz or Pop. The incessant pulse of electro might make for a less interesting story but you might be able to work with it.
This character cannot be the narrator, although they are the protagonist.
Include an item which is not meant to be musical but the protagonist plays like an instrument. This sets the chain of events in motion.

Writing Exercise 13: The Water At Night

I know I did a water one recently but as I just finished an impressionist painting of the sea at night I found some beautiful online art, each very similar but different. Each of them hold a fantasy character (well, a victorian can be part of a fantasy) by the sea at night. And so I thought the perfect exercise would be to connect the characters. A bit of connect the dots fun. Each of them somehow knows, or runs into, the others. Each visits the sea at a different time in the same night.

The questions for you to answer are:
Why do they each need to visit the sea?
How are they connected?

I have my ideas but I'm going to keep them to myself. Let's just say there are some fun possibilities, involving romance and intrigue. :P


By the Sea by *QueerAngel8900 on deviantART


where sea meets sky by ~xxbloodyknuckles on deviantART


Bride of The Crimson Sea by *fallen-angel-24 on deviantART

Writing Exercise 12: Damsels with Balls

Cassandra by *mari-na on deviantART

As the title suggests, this is about a strong female character. The theme is 'Greek Myth'. Options for potential stories include a modern retelling, making a female the lead, or (this is my favourite) creating a new one where the heroine's pride leads to her downfall. Some confident gesture puts her in peril. Perhaps she spurns a king and is banished? There are a lot of familiar trials to put on your character to struggle free from.

That's the plot pretty much taken care of. Too formulaic for you? Then use this exercise to focus on creating a sympathetic character, despite her flaws, and creating reader empathy. Most importantly, focus on creating a gripping beginning. There'll be time for atmosphere later. (And isn't atmosphere the easy part for most of us? You'd hardly be stretching yourself to practice what you're good at.)

Good luck!

Writing Exercise 12: Funny Pic-Turned-Idea

I saw this comic and just had to laugh:

http://www.stumbleupon.com/su/1vrwMu/cartoonist.name/wp-content/uploads/2008/11/bizzaro-1.jpg

But then I thought that there are probably lots of crazy unconsidered theories for the death of the dinosaurs.

This prompt is not so much about creating prose, as brainstorming ideas. (If you've read my conclusions on Wolf Hall, you'll know how it upset me that poor prose is acceptable if it supports a good idea. Let's learn by example. The idea is more important than the quality, in the eyes of an agent, so it's definitely an area that we can all work on.)

So go, and bring back insane but convincing theories as to who killed the dinosaurs. Mass suicide perhaps? The rat-like beings that preceded us tripped them all up? I'm sure you'll think of something better.

Writing Exercise 11: Re-Writing Memories

The latest and most accepted theory about long-term memories in the brain is that every time we remember a memory, we re-write it in our brains. Usually as almost identical. These different versions, all stored together, combine to for the memory you will conjure up the next time, which will have another copy, slightly different, saved.

It's a bit of a concept to wrap your head around. Surely the memories you hold dear haven't changed in your mind. In essence probably not, though they have been updated with newer versions of the same thing.

Anyway, to the exercise.

1) Write a 200-250 word scene.
2) re-write it without looking at the first story you wrote. Just using memory.
3) Do this again, based on your latest version until you have three or four variations of the same scene.
What do they have in common?
What changed?
If it doesn't teach you about your writing style, it'll still help you realise the essence of your ideas which run through your stories and hopefully make editing less painful, knowing there are hundreds of ways to get your same essence across.


The Essence of Evil by *BlackMysticA on deviantART

Writing Exercise 9: Picture Prompt

Romance and magic! I'm feeling a little gooey today and I've included some pictures that might make you gooey too.
The magic is actually the more important factor here. Here's what your story should include:

1) Something magical (you can go the realism route and have someone with a magical voice or you can go all out and summon cthulhu).
2) The setting has to be outdoors.
3) One of the following objects has to appear in it:


Enchanted by the winter by =wchild on deviantART


Rosa Canina at break down by ~ziddarri on deviantART


One Perfect Rose by *galway-girl21 on deviantART

Writing Exercise 8: Picture Prompt

Do you feel out of place?

I searched for pictures with the phrase "out of place" and here are some of the odd things that came up. This prompt is just about the pictures, as they have a lot in them. Just give your piece the theme of 'out of place'.

(The last of these I doubt will be useful but was quite odd so I included it anyway.)


Girls' Night Out by *theartrix on deviantART


Village of the Bridge by *angrymikko on deviantART


Cramped place by `hellobaby on deviantART

Writing Exercise 7: Picture Prompt

I've been thinking about symbols and signs, some things we take for granted, as well as assume everyone can understand. A bit like internet abbreviations. There has to be at least one out there that you're not familiar with.

Anyway, this prompt is to do with signs.

1) The centre of the plot has to revolve around the misinterpretation of one. This leaves room for the obvious choices: humour or tragedy, but also romance and more. Not that it has to be a genre piece.
2) Choose from the following: (unless you already have something in mind)


Exit Sign by ~TheLilPhotographer on deviantART


Confusing? by ~redgobbler on deviantART


confusing by ~missingnumbers on deviantART


BEST SIGN EVER by ~z532 on deviantART

Writing Exercise 6: Picture Prompt

Here's a simple little thing.

1) A character learns to love what they previously hated.
2) The scenery defines their lifestyle and mannerisms... except for one out of place quirk. (Make it clear where they developed it.)
3) Pick a picture and get writing.


Paris by ~somebody3121 on deviantART


Mounts Bay, Cornwall by ~midlander1231 on deviantART


Japanese Street by =fuzzyzebra on deviantART

Writing Exercise 5: Children's Fiction for Adults

I recently bought a book without being aware that it was a children's book. I suppose that is a risk when buying online and not being able to pick up the book in your hands. But, I'm not complaining, because, like the reviews I took fancy to said, it was a great read. It was The Dead of Winter by Chris Priestley. Victorian and gothic with ghosts and strange sounds. I have to say it was certainly better written than the Castle of Otranto (written for adults, can you believe). The events happen rapidly enough to read the story in a few hours and yet it lost none of the atmosphere and scenery. The amount he said in few words impressed me and was a refreshing change from Entropy, good though it was.

Anyway, that was just a little background for why I came up with this prompt:

1)Write a story with an unseen presence, that can be heard and smelt and felt. Invisible man, ghost, rats in the wall, anything.
2) The story must be written with a rapid voice. If you normally meander and describe your characters, don't! Let their actions speak and try and cram as much action into as few words as possible, like children's fiction can.
3) Try and give the colours, the tone of the story, a blueish feel. Subtely mention the blue things in the surroundings to enhance this impression.


Forgotten Fairytales by `zemotion on deviantART

Writing Exercise 4: Splitting Yourself Up

Forget your limbs for a moment, your fingers your arms and elbows. Your toes and legs, they fade away into nonexistence. Forget you posses the body of a human being, an upright bipedal.

All you are now is a cloud of consciousness, a series of thoughts, of conversations with yourself. What voices are clearest in your mind? Which two voices assert their character the most? Your supposed devil and angel? Your ego or libido?

Take the two strongest personalities that live inside you. Don't give them bodies, put them on an infinite plane with nothing but talk to fill the void.

What will they say to each other now that they are not the same person? How will they come to terms with themselves and each other? Kill the other? 'Walk' away? Befriend? Or something better.

These thought beings that live within you need their own voices from time to time. Give it to them in spades.


Door of consciousness by ~AndreyBobir on deviantART

One Word and My New Writing Regime

My new morning writing exercise! It's free. It's harmless. And you have so little time to write that you can't be critical of yourself. The principal is that you have one word and sixty seconds to write about it. That's it.

So my new writing regime starts first thing in the morning with oneword.com as I sip my tea, followed by an exercise from the Write Brain Workbook, possibly followed by a 3 a.m. Epiphany exercise (depending on how reluctant I am to get back to work on my book - these exercises take some considerable thought) and finally, the serious work on my novel.

As an aside, I am loving this new book I'm reading, Entropy, but unfortunately my copy turned out to be signed. I can't enjoy cracking the spine as I work my way through because I'm so concerned about the condition it's in.
And another thing: I hate novels about novelists and writers (Entropy has hints of this but has enough merits to outweigh it). It really grates at me. Write about someone other than yourself. That's what imagination and research are for.